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Urinetown

Deigner

Yingman Tang

Location

Colwell Playhouse, Krannert Center for the Performing Arts, Illinois, US

Credit

Photo credits: Darrell Hoemann

 

Production Team

Director: J.W. Morrissette and Lisa Gaye Dixon

Music Director: Justin M. Brauer

Choreographers: Joe Bowie and Lisa Gaye Dixon

Scenic Designer: Emilia Consalvi and Katie Owen

Costume Designer: Wesley Price

Lighting Designer: Yingman Tang

Sound Designer: Madison Ferris

Dramaturg: Melissa Goldman

Technical Director: Capri Agresta

Properties Head: Sammy Boyarsky

Production Manager: Terri Ciofalo

Stage Manager: Kaitlyn N. Meegan

Fight Director; Zev Steinrock

Vocal Coach: Diane Robinson

Context

Urinetown?!? What kind of name is that for a musical? A very good one, as it turns out. Arising from the creative minds of Greg Kotis and Mark Hollmann, Urinetown, The Musical satirizes the ways in which our most basic needs can be turned into cash profits for others. 

Urinetown formally opened September 20, 2001. The musical had 25 previews and played for 965 performances. It received ten Tony Award nominations and won in three categories: Best Direction of a musical (John Rando), Best Book of a musical (Greg Kotis), and Best Original Score (Greg Kotis and Mark Hollmann). 
Urinetown may strike us as an odd title, and, of course, it premiered on Broadway decades ago. But the themes throughout the show still resonate today. A satirical comedy, it indicts latestage capitalism and drives a dystopian narrative to the extreme. Some themes you cannot simply laugh off—some require action. 

—Melissa Goldman

Experience

The lighting design for Urinetown was closely integrated with the performers. I attended rehearsals regularly and prepared a detailed cue list in advance, which allowed me to discuss lighting strategies with the director before entering the theatre. As a result, the technical process ran smoothly and efficiently.
The performers were fully engaged, and there was a strong sense of collaboration between lighting and acting on stage. This mutual responsiveness enhanced the overall performance, and the process was both rewarding and enjoyable for me.

yingmantangtheatre.com

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